Musical career Rambo Amadeus

1 musical career

1.1 1980s
1.2 1990s
1.3 2000s
1.4 2010s

musical career
1980s

in 1988 dropped onto music scene right out of debut album o tugo jesenja. sound seemingly coarse blend of folkish ululations , opera, further mixed in humorous lyrics , classic guitar riffs. since few people had prior knowledge of him, rambo delighted in creating confusion introducing himself nagib fazlić nagon, mine shaft operator saved enough money record album. referred own musical style turbo folk, long before term obtain grave social connotations , come symbolize moral , cultural decline throughout balkans during wars of 1990s.

in reality, producer saša habić rambo got opportunity sign state television s record company pgp rtb (rambo later wrote anecdotal tribute event, in hit song balkan boy ). habić played synthesizer on album, track named vanzemaljac (extraterrestrial) continues popular day. record s sales weren t particularly high, rambo created enough of buzz able remain active on scene.

next album hoćemo gusle came out in 1989 , gave small taste of of rambo s future musical direction – overt political activism. track amerika engleska (biće zemlja proleterska) supposed named kataklizma komunizma (cataclysm of communism) powers wouldn t allow it. album title pokes fun @ bizarre event 1989 protests in montenegro grew anti-bureaucratic revolution swept milo Đukanović, momir bulatović, , svetozar marović power. protesters heard chanting hoćemo ruse ( want russians ), when authorities , state-controlled media criticized them it, many began backpedaling claiming chanted hoćemo gusle ( want gusle ).

other songs glupi hit , afore mentioned balkan boy become considerable hits , rambo received solid critical acclaim chances took in samit u buregdžinici laibach . on track, created catchy hybrid mixing pretentiously heavy sound of laibach poetry of laza kostić , desanka maksimović, folk kafana standard Čaše lomim , own turbo-poetry. album sleeve lists lyrics of song wasn t recorded , explains dropped @ last moment because there no room gives assurances appear on next album. since song in question, named pegepe ertebe , taking shots @ rambo s label pgp rtb isn t surprising didn t appear on next, or subsequent album matter.

1990s

as 1990s beginning, rambo growing established performer. third album m-91 came out towards end of 1991 @ time when conflict across former yugoslavia in full swing. obvious reasons, least of album s subtitle – psychological propaganda set, many songs contained heavy lyrics , dark, militaristic atmosphere. in face profanity , descriptive cursing par course, making first major music release in former yugoslavia take such narrative liberties. tracks smrt popa mila jovovića (30-year-old poem božo Đuranović), jemo voli jem (incorporating samples yugoslav aviators anthem hej vojnici vazduhoplovci Šemsa suljaković s izgubila sve sam bitke ), inspektor nagib , zdravo damo became instant hits.

the discrepancy between s listed on cover , recorded there again sleeve announces track called kpgs would, time real, appear on next live album, not list halid invalid hari , prijatelju, prijatelju included , became big hits. many consider 2 tracks classic rambo: observant, opinionated, direct , profane. latter of 2 included excerpts slobodan milošević , franjo tuđman speeches, record company censors took them out.

this album further solidified rambo s presence on scene started playing bigger arenas sava centar. due outspoken , entertaining nature invited on various tv , radio outlets across country.

trying take new situation in stride, hit road, becoming 1 of first performers fr yugoslavia regularly start touring macedonia , slovenia in years following states declarations of independence.

after live album kpgs (taped on december 29, 1992 in skopje) included new studio track karamba karambita followed greatest hits compilation izabrana dela 1989–1994, rambo recorded peculiar new material during july 1995 in paris goran vejvoda. released following year mikroorganizmi, featured inaccessible, moody sound garnered terse, experimental lyrics marking sizable departure usual antics.

he simultaneously released muzika za decu, personal musical take on ljubivoje ršumović s poetry featuring 2 bonus new tracks – sex , abvgd .

old-school rambo fans did not have wait long return earlier style. towards end of 1996, on titanik delivered new batch of traditional fare Šakom u glavu , sado-mazo , zreo za penziju , otiš o je svak ko valja (dedicated toma zdravković , members of Šarlo akrobata). seasoned musicians ognjen radivojević (later perform goran bregović , zdravko Čolić), goran ljuboja, dragan markovski , marija mihajlović took part in recording sessions album.

extensive tour followed , again included slovenia (live album recorded on 2 ljubljana concerts in april 1997 , later released r.a. u kud france prešern), bosnia rambo appeared guest @ sejo sexon s zabranjeno pušenje gig in sarajevo. appearance in december 1997 first post-war visit serbian-montenegrin performer muslim part of bosnia.

on june 9, 1998, rambo played belgrade s dom sindikata hall in announced farewell performance before retirement. if many doubted sincerity, concert memorable one. soon, rambo packed bags , left netherlands, though not before squeezing in 2 more shows in bosnia. in netherlands, worked series of menial jobs including construction, before deciding return belgrade after 4 months abroad. home, not surprisingly, returned music , continued break down inter-ethnic barriers: on december 10, 1998, , margita stefanović played show in pula @ local cinema kud idijoti, first opportunity since war croatian audience see performers serbia , montenegro.

2000s

throughout year 2000, rambo worked on become don t happy, worry album. album included song laganese in sampled norwegian journalist Åsne seierstad singing norwegian folk song eg rodde meg ut på seiegrunnen , swearing. time, sampling , local pop-cultural references became 2 more staples of sound, , material, too, heavy on both. produced iztok turk, featured tracks Čoban je upravo napustio zgradu (loose cover of neda ukraden s zora je svanula ), moj skutere borrows oliver dragojević s moj galebe , , izađite molim sprinkled in dialogues goran marković s 1975 movie variola vera.

in 2004, rambo released third live album bolje jedno vruće pivo nego četri ladna, followed studio album oprem dobro in mid-2005.

he made song dikh tu kava in collaboration ethno-jazz fusion band kal, , in 2007 appeared on album featured artist in song komedija ( comedy ).

he gave extraordinary performance called mixing of alternative rocks in autumn 2007, when played on 12 concrete mixers in front of audience, during alternative rock festival in skc, belgrade.

for purpose of new year s show on rtv, appeared in song rakija followed zorule, traditional folk orchestra. song used later 1 of tracks vratiće se rode tv serial. in february 2008, rambo amadeus performed guest star of rts big band jazz orchestra, 60th anniversary.

hipishizik metafizik latest studio album, released pgp rts in july 2008.

2010s

rambo amadeus internally selected montenegrin national broadcaster rtcg represent montenegro in eurovision song contest 2012 in baku, azerbaijan. winning song euro neuro gained controversy video. failed make eurovision final.

rambo s performance on eurosong met controversies because of satirical nature of song euro neuro towards europe

in 2013 released video new single o ruk on road again 3 winnettous. in 2015 released album vrh dna , featured unreleased track rano za početak 2011, , retitled samo balade album s release.